Mockingjay: Part 1

Turns a political struggle into something thrillingly personal.

The Beat Beneath My Feet

A toe-tapping indie that is, quite simply lovely.


An extraordinary true tale made disappointingly ordinary.

The Battle of the Five Armies

"Why does it hurt so much?" Because the rest of it felt so real.
Roger Allers Bob Minkoff - interview, The Lion King 3D

There's nowt like getting up at 10 in the morning to go to a roundtable interview with the directors of the greatest Disney movie ever made. That's 10am US Pacific Time, by the way. So yes, I made a special effort and got out of bed at 6pm to make a long journey all the way to the interview. That's a virtual interview, by the way.

After getting up before 6pm, walking across the room to the computer and shouting a few things in South African in the Rafiki style, I was ready to go. All that because The Lion King is out in cinemas again today? I wouldn't have made all that effort for something stupid like Cars, you know.

So anyway, here's what Roger Allers and Bob Minkoff had to say (or type, whatever) about Hamlet, Elton John and post-converting the Disney classic into three dimension as we threw virtual questions at them through the circle of WiFi (ahem).

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Yes, that's the sound of me singing in South African as I continue my relentless quest to re-watch all the VHS tapes gathering dust in my attic. This week, the greatest Disney video in my childhood collection: The Lion King.

It's being released in UK cinemas in 3D this week (the trailer's this way) - no surprise really, given how gorgeous it looks in good old low-def, analogue 2D:



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There are a lot of Hamlet projects flying around at the moment, mostly on stage, but there's one film version that won't be happening any more: Emile Hirsch and Catherine Hardwicke's take on Shakespeare's play has been called off.

Their adaptation (called Haml3t) was aiming to be a modern and young version of the story, playing it out like a suspense thriller with the Twilight and Lords of Dogtown director keen to focus on a musical angle. She told MTV last year:

"It’s a modern-day film, set at a liberal-arts college where words matter — so people are careful and talk in beautiful language, and Hamlet tries to express himself through music. So, we’re using some of the cooler Shakespeare language, in a musical way. Hamlet is like an [aspiring] rock star. He’s got six people that go to his performances, go to clubs and listen to him. It’s like an early Kurt Cobain."

The concept came from Emile Hirsch, who indicated that the film would be shot in Boston in the fall. It obviously wasn't. He explained at the time that he wanted to "lower the ages of everyone in the cast, make it much younger and see how that affects the story". It sounds a bit like Ben Whishaw's acclaimed performance many years back. But now the whole thing has ceased to be, for reasons that aren't exactly clear - probably to do with money.

The last cinematic take on Hamlet came from Ethan Hawke's modern re-imagining. And while we don't exactly need another (it could always turn out closer to O than 10 Things I Hate About You), it's a shame that we won't get to see Hirsch sink his teeth into one of literature's greatest roles. At the very least it would give GCSE English students something to study other than Baz Luhrmann's Romeo & Juliet.

Those needing a Hamlet fix can grab their next hit in Sheffield, where John Simm plays the Dane at the moment. Rory Kinnear's Hamlet follows at the National Theatre in October. And then next year, there's Michael Sheen at the Young Vic to look forward to. 


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