Ah, Anton Corbijn, king of cool composition and other such accolades (thesaurus available here). Despite his frequent hints at reservations over the film industry, he came back to cinema after Control to seek a "different experience".

Playing on tropes of 70s existential thrillers, he's managed to do exactly that with The American - a slow-paced, beautifully shot piece of celluloid. And to celebrate the gorgeous George Clooney and his picturesque surroundings of Southern Italy, it seems only right that I post up some pictures from the film. Just to give you something to drool over. 

So yeah, start drooling biatches.