|FrightFest Review: Fright Night (2011)|
|Written by Ivan Radford|
|Saturday, 27 August 2011 12:28|
Director: Craig Gillespie
After Let the Right One In and its quick-to-follow remake Let Me In, the help-my-neighbour-is-a-vampire routine is getting a little old. But not, it turns out, when Colin Farrell's living next door. Full of menace, pointy teeth and sex appeal, Farrell's Mr Bitey is way more impressive than his name suggests. "Jerry"? It's hardly Count Dracula. But Farrell's presence keeps things tense, even when the rest of the film fails to do so.
A remake of the 1985 cult favourite, the new Fright Night may annoy fans of the original - although there don't seem to be that many about. A camp, fairly fun affair, the first Fright Night was amusing but never hilarious, and intriguing but never terrifying. Judging on those qualities alone, this modern update is very faithful.
Anton Yelchin plays Charley, a teen trying to shake off his geeky past to get off with Little Miss Popular, Amy (Poots). It seems to be working, even with the spectre of former Warhammer buddy Ed (Mintz-Plasse) hovering around. Then along comes Jerry (Farrell), a guy who lives in a blacked-out house, doesn't come out in the daylight, and has enough charm to sweep Charley's mum (Collette) off her front porch. Is he a vampire? Yes.
The question is answered far faster than in the original, which hinged on the conflict between doubt and belief. Gillespie's version hinges more on the conflict between the bloodsucker and his prey - or the conflict between David Tennant's crotch and his tight leather trousers.
Playing exuberant stage magician Peter Vincent, Tennant swaggers about like Russell Brand, scratching his nether-regions and downing booze with loud abandon. He fulfils his role as rowdy comic relief even if he doesn't convince as a vampire expert (no thanks to a dreadful backstory that takes itself too seriously).
Still, Fright Night is a solid bit of entertainment. Marti Noxon's take on Tom Holland's screenplay removes a lot of fluff and inserts some good set pieces. Gillespie uses the deserted Las Vegas location well, but the overlong 3D climax has a little too much CGI for its own good - it says a lot that the tension is highest when Farrell is simply standing still by Charley's back door, trying to trick his way into the kitchen. Fright Night has fun with its cast, giving Mintz-Plasse something to sink his teeth into, but it works best when Farrell's just trying to raid the fridge.
Someone needs to bite a chunk out of its runtime, but Fright Night is actually quite alright. And that's mostly fangs to Colin Farrell.
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Fright Night was first shown to us all in the UK at Empire BigScreen. For a round-up of that weekend's film goodness at The O2, read Empire BigScreen: The Graphic Novel.