Director: Stuart Beattie
Cast: Caitlin Stasey, Rachel Hurd-Wood, Lincoln Lewis, Deniz Akdeniz, Ashleigh Cummings, Phoebe Tonkin
Certificate: 12A
Trailer

If there's one thing Neighbours has always been missing, it's a military invasion. Thank goodness, then, for Tomorrow, When the War Began, an Australian effort that adapts John Marsden's Red Dawn-like novels with almost as much disregard for storytelling as grammar. Bottom line: if you don't know how to conjugate the verb "begin", you'll love it.

It all starts out pleasantly enough, with a bunch of teenagers sitting round a pretty bonfire, picnicking in the wilderness. "For all we know, World War III could be happening out there!" They laugh, blissfully unaware that at that very minute their homes are being bombed to heck, their families raped and household pets sacrificed. Probably.

Fast forward 20 minutes and it's a little bit different. "Christ, don't you know there's a WAR going on?" they scream at each other, wondering how their country could be taken over so quickly by suspiciously-oriental-looking invaders. It turns out that the troops have spread across Australia thanks to their control of one key bridge leading to the town's nearby docks. So the kids' mission swiftly becomes to blow it up - because if there's one thing an army with helicopters and planes really needs, it's a bridge.

Of course, the cast consists of typical teenagers, from the clueless model (Tonkin) and selfish jock (Lewis) to the nerdy Christian girl (Cummings) and rebellious boy with long hair (Akdeniz). He's called Homer. He's the comic relief. In amongst the group are also Rachel Hurd-Wood and Caitlin Stasey. You know, her from Neighbours.

But can thingy from Neighbours use her perfect teeth as a weapon? Can those toned legs kick a man's face to death while hiding from Chinese and/or Japanese search patrols?

Ellie has to do both - ok, neither - in this grave new world. It's no wonder she suffers from shock. "How many people is it OK to kill in order to keep me alive?" she worries, staring at her friends. No-one answers. Sadly the silence doesn't last the whole film.

Moving from the writer's desk to the director's chair, it's odd that Stuart Beattie serves up a naff screenplay here. Despite the efforts of the talented Caitlin Stasey, the dialogue never sounds like real teenagers talking. It's as if Beattie's never heard any young people speak before. You could replace the humans with dogs and have equally believable conversations. Maybe that's how the film first started out - foreigners vs dogs. Until they realised that dogs becoming guerilla warriors would be ridiculous.

The action's shot well enough to keep your eyes on the screen, but you won't care who dies. The film gets its main boost halfway through, when Dr. Clements (Colin Friels) turns up in an abandoned building, dishing out combat advice and updating the kids on their families. "What about my parents?" asks one. "Have they ever had their teeth cleaned?" "No." "Then how would I know a bloody thing about them!" he yells back, big chunks of ham stored in his grizzly beard. When a film's highlight is the bit with the dentist, you know you're in trouble.

VERDICT

Tomorrow, When the War Began never lives up to the promise of Neighbours going to war. Private Ramsay definitely needs saving.

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