Director: Michael Haneke
Cast: Christian Friedel, Rainer Bock, Ulrich Tukur, Marisa Growaldt
Certificate: 15

A small protestant village, one that serves a Baron, with farming controlled by a devout sense of pietism and education. Everything seems to be in its right place with a well ordained layer of purpose and productivity. The community celebrates with good harvest and chooses the church as its moral compass. Religion and education are the foundations of this world, and all seems well in this black and white vision. At its very opening, though, is a clue to the disorder that will come.

Director: Wes Anderson
Cast: George Clooney, Meryl Streep, Bill Murray, Jason Schwartzman, Eric Anderson, Brian Cox, Hugo Guinness, Michael Gambon
Certificate: PG

"Who am I, Kylie? Why a fox? Why not a horse, or a beetle, or a bald eagle? I'm saying this more as, like, existentialist, you know...?" The kids certainly won't. We all remember Mr Fox from our childhood days, that chicken-stealing ground-digging rascally Roald Dahl rogue. But as Wes Anderson's stop-motion starts up, you quickly realise that this is not the Mr Fox you read about as a child. This is Wes Anderson's Mr Fox. And he's got style.

Director: Michael Haneke
Cast: Christian Friedel, Rainer Bock, Ulrich Tukur, Marisa Growaldt
Certificate: 15

A small protestant village, one that serves a Baron, with farming controlled by a devout sense of pietism and education. Everything seems to be in its right place with a well ordained layer of purpose and productivity. The community celebrates with good harvest and chooses the church as its moral compass. Religion and education are the foundations of this world, and all seems well in this black and white vision. At its very opening, though, is a clue to the disorder that will come.

Director: Wes Anderson
Cast: George Clooney, Meryl Streep, Bill Murray, Jason Schwartzman, Eric Anderson, Brian Cox, Hugo Guinness, Michael Gambon
Certificate: PG

"Who am I, Kylie? Why a fox? Why not a horse, or a beetle, or a bald eagle? I'm saying this more as, like, existentialist, you know...?" The kids certainly don't. We all remember Mr Fox from our childhood days, that chicken-stealing ground-digging rascally Roald Dahl rogue. But as Wes Anderson's stop-motion starts up, you quickly realise that this is not the Mr Fox you read about as a child. This is Wes Anderson's Mr Fox. And he's got style.

The London Film Festival kicks off tonight with its opening gala feature, Fantastic Mr Fox. No, we’re not there tonight – there wasn’t enough space on the carpet (even in my most slimming suit, I take up quite a bit of space in the behind region) – but you know where we were? At The Dorchester for the opening press conference for Wes Anderson’s stop-motion take on Roald Dahl’s classic kid’s novel.

Also in the room were George Clooney, Wes Anderson, Bill Murray, Jason Schwartzman, Eric Anderson, Wally Wolodarsky, Jarvis Cocker, and George Clooney (did I mention him already?). Sitting with tongue out, pencil in hand, taking in the delights of the beautiful Ballroom, the room erupted into applause when the stars took to the (very tiny) stage. Then the questions began...

Directors: Pete Docter, Bob Peterson
Cast: Ed Asner, Jordan Nagai, Christopher Plummer, Delroy Lindo
Certificate: PG

Up has already been hailed as a masterpiece. From its left-field concept to its silent opening sequence, which sees a man's life float by in 10 minutes, it's wonderfully put together. As Carl Fredrickson's (Asner) house soars skywards, tethered to thousands of bright balloons, your mouth can't help but drop open. Casting multi-coloured silhouettes over lush landscapes, these shots alone are a work of art. But don't get carried away - this is not the perfect Pixar project.

Director: John Lasseter
Cast: Tom Hanks, Tim Allen
Certificate: PG

If you don’t know the story of Toy story, you’re either a baby or a retard. Toy Story will be 15 years old next year, so its legacy is now firmly established. It is one of the defining films of the past generation, without which we would not have Shrek or Nemo, or any of their pixelated pals. Beyond the obvious, however, Toy Story has had an impact on animation history that would have been impossible to forsee when it originally hit our screens. It was the last point at which Disney noticeably blazed a trail through the animation world, and was the making of writer-director John Lasseter.