Zoolander 2

Really, really, ridiculously disappointing.

The Assassin

There are martial arts movies and there are martial arts movies. The Assassin isn't either.

Batman v Superman

A bold, mature exploration of myths and epics - followed by a two-hour mess.

https://i-flicks.net/components/com_gk2_photoslide/images/thumbm/760163zoolander__top.jpg https://i-flicks.net/components/com_gk2_photoslide/images/thumbm/572370The_Assassin.jpg https://i-flicks.net/components/com_gk2_photoslide/images/thumbm/111152batman_v_superman_still__1_.jpg

Star Ratings

Well good


Home Reviews LFF LFF film review: A Second Chance
LFF film review: A Second Chance Print E-mail
Written by Ivan Radford   
Sunday, 12 October 2014 06:50

Director: Susanne Bier
Cast: Nikolaj Coster-Waldau, Ulrich Thomsen, Maria Bonnevie Showtimes: Oct 12th, Oct 14th, Oct 15th

When it comes to getting natural performances out of actors, Susanne Bier is one of the best directors in the business. A Second Chance is no exception.

Nikolaj Coster-Waldau stars as married cop Andreas, who recently became a father. When he raids the flat of junkie low-life Tristan, also a recently new dad, the contrast couldn't be clearer: where Andreas' child, Alexander, is happy in the arms of his wife, Anne (Maria Bonnevie), Tristan's son, Sofus, is lying on the bathroom floor, crying and covered in faeces.

Andreas' sense of justice soon sees him planning to remove the child from their custody - but Bier doesn't stop there. It would be all too easy to think of these two pairs as opposites, but Anders Thomas Jensen's script blurs the parallels between them, as each couple comes face to face with the prospect of losing their baby. Would it ever be possible to replace a lost child with an adopted one? Is it right to take revenge if someone took your baby from you? And how far would you go to get it? As the quartet react differently - or not - to their emotional - and criminal - dilemmas, Bier teases out engaging turns from each. Nikolaj Lie Kaas is hot-headed yet sympathetic as bull-headed Tristan; May Andersen is devastating as his distraught partner, Sanne; and Maria Bonnevie puts your heart in your mouth several times as the increasingly unstable Anne. And at the heart of it all, Nikolaj Coster-Waldau is fantastic as the conflicted cop, punching through glass windows while still lecturing his alcoholic friend, Simon, on the importance of reform.

The result is a moving morality tale dressed up as a Danish crime thriller; a simple tale told with all the complexity you expect from Bier and her cast. Halfway through, we gaze at Andreas and his littlun curled up on the carpet. The boy yawns - the Danish director can even get a natural performance out of a baby.