Conviction is an incredible story turned into a slightly cloying movie. Like real life, it's not perfect but Sam Rockwell makes it all better.

Season of the Witch

Charming? Charmin Ultra more like. Still, this is dumb, grimy, terrible fun. In the worst way possible.

The King's Speech

We've seen this all before, but never so articulate. Magnificent.

Top 15 Films of 2010

Picking 10 was too hard, so here's the 15 best films of the year. And no, Gulliver's Travels ain't in it.

The Next Three Days

I'm Russell Crowe's Wife Get Me Out of Prison is surprisingly believable. Inconsistent, but exciting.

Love and Other Drugs

This Viagra-inspired tale is an enjoyable ride, but ends up a bit of a let down.

127 Hours

As a follow-up to Slumdog, it's a solid effort. As a story of survival, it's incredible.

Gulliver's Travels

Robots and midgets and Jack Black. Oh my. Watchable, but hardly enjoyable.

The King's Naughty Speech

Why the 12A certificate should go **** itself.

Tron: Legacy

As dull as dunking a Digestive into a lukewarm cup of tea.

Narnia - According to Aslan

A brief recap of The Chronicles of Narnia, with the help of Aslan the inflatable lion.

Star Ratings

Well good


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Home Reviews Cinema 127 Hours
127 Hours Print E-mail
Written by Ivan Radford   
Wednesday, 05 January 2011 09:13
Director: Danny Boyle
Cast: James Franco
Certificate: 15

How do you follow up an Oscar for Best Film? Chop James Franco's arm off is how. 127 Hours is the true story of climber Aron Ralston (Franco), who enjoyed hopping around Utah canyons in 2003 until he found himself the wrong side of a massive rock.

But Danny Boyle doesn't start things there. Before the infamous joining of boulder and limb, we get a burst of movement as Aron bounds from his apartment into the great outdoors.

Accompanied by A.R Rahman's trademark cacophony of drums, the screen jumps around with chaotic rhythm. And Boyle doesn't miss a beat as he hammers out the exposition in the only way he knows how: with an addictive shot of split-screen energy.

Then we meet two lost ladies, whom Aron races to help. After some watery frolicking, they leave, he goes back to his lone wolf lifestyle, and promptly gets pinned to a wall. That's when the title pops up - a cheeky hint of the humour that Simon Beaufoy's script (co-written with Boyle) has in store.

Yes, there are laughs to be had, mostly thanks to Franco's phenomenal performance. Leaving video messages to his mum and dad, he does desperate, determined and delirious, all the while breaking into terrified sweat. Unlike Buried, we know where this story's headed, but Franco's acting keeps things compelling; as a tense location, coffin beats rock, but as an actor, Franco beats Reynolds every time.

When the crucial arm-cutting comes around, it's a painful watch. More tasteful than mere torture porn, the flash of red keeps Ralston's bittersweet freedom from becoming too sugary. Failing that, there's Boyle's range of camera shots. It's over-edited, as you might expect, but the pans and zooms give 127 Hours its own identity in a crowd of claustrophobic thrillers. Boyle even shoves a camera inside the arm itself. For that alone, you've got to give him a hand. 


94 minutes long, 127 Hours feels fast and brief. As a follow-up to Slumdog, it's a solid effort. As a story of survival, it's incredible.


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( 1 Vote )

  • a r rahman
  • amputation
  • aron ralston
  • buried
  • danny boyle
  • james franco
  • oscar
  • rock climber
  • simon beaufoy
  • slumdog millionaire

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